Yasmin
★★★★★Yasmin is an Australian VO artist who doesn't sound like your typical VO artist! Think somewhere between friendly neighbour and trusted guide. She brings a down-to-earth, non-salesy and friendly...
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Yasmin is an Australian VO artist who doesn't sound like your typical VO artist! Think somewhere between friendly neighbour and trusted guide. She brings a down-to-earth, non-salesy and friendly...
My voice is authoritative and confident, with a conversational edge that keeps things human. I'm a male voice actor with a North American English accent, and I read in the adult and mature adult...
young adult male, guy next door, smooth
Hi! I'm Gil, a Brazilian Portuguese voice-over artist based in Brazil, specializing in commercial, institutional, corporate, advertising, and other voiceover styles. My voice has a warm, natural and...
I'm a Spanish voice over (neutral accent) and Spanish Argentinian. My voice is naturally authoritative, calm, friendly, warm. Warm and deep for narrations, sexy and fun for commercials. Smooth and...
My sound is a real person having a real conversation. Warm, caring, and easy to listen to, with either a general American accent or an East Coast North American English accent that sits comfortably...
I have a deep, warm, resonant American male voice with a naturally authoritative yet approachable tone. Rich, mid to low baritone that conveys trust, confidence, and authenticity. Comfortable...
I'm Tamisha, a voice actor in Gilbert, United States, with a North American English accent and an urban sound that sits easy in the adult 30-50 range. My read is conversational when a script wants a...
As a seasoned British male voiceover artist with over 25 years' experience, I've voiced national TV campaigns for GoDaddy, Flora Gold and Star Wars: Episode VII – The Force Awakens, as well as global...
My voice is natural and conversational, an Australian accent that sits comfortably in the adult 30 to 50 range. It works well when a script needs to sound like a real person talking, whether that's...
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