Real briefs with real deadlines, cast on The Voice Realm and recorded at home by working voice actors. Most never reach a public site. Here's what came through.
Newest first. Every one went out to the roster by email the moment the client posted it, and the open ones are still taking submissions.
A short promo for a streaming platform highlighting a season of film scores by a celebrated composer. The read is around 30 seconds, roughly 40 words, so every line needs to land. The client asked for an upbeat, cheerful delivery with a sense of scale and excitement, building to a clear sign off. Clean, well paced and broadcast ready audio.
A full length audiobook told in first person by a teenage narrator looking ahead to turning eighteen. The sample read is around 350 words, with the finished book running over three hours. The client wants a conversational delivery, unhurried, with room for the narrator's self deprecating humour and quiet uncertainty to come through naturally.
A full length fiction title told in the first person by a teenage narrator approaching a birthday he is not sure he wants. The audition passage runs around 130 words, with the finished project running over three hours. The client wants a shy, slightly troubled read that still lands the dry humour. Natural pace, close and conversational, as if thinking out loud. Delivery is finished audio, ready to use.
A short dramatic scene from an original romance script, written for audio. Two college age characters argue about a relationship kept hidden, and it builds to a breaking point. The read runs around 200 words, with emotional notes marked line by line, moving from frustration to real anger. There is some strong language. Internal monologue lines sit between the dialogue. Client is based in the United States.
An Australian client needs voice actors for ongoing sessions of scripted conversational dialogue across a wide range of everyday subjects. Scripts are read as written and change session to session, so consistency of setup and delivery matters. The read is natural and clear, steady, with no announcer cadence. Improv, roleplay, two person scene work and the ability to offer several different reads of a line are all useful.
A corporate opener that kicks off an annual internal sales event for a heating and cooling manufacturer. Around 200 words, roughly two minutes, set against a rock driven music bed. The client wants a deep, reassuring read with real energy, building through statements about accountability and partnership to a confident close. Clear, grounded delivery that holds up over music.
A short promo for an in flight entertainment lineup, built around a seasonal men's health awareness theme. Just under 100 words, timed to picture, so you'll be matching the video's pacing. The client wants an enigmatic, driven read with plenty of excitement and a light humorous wink in places. Expect playful copy and a big, cinematic finish. Timings must be followed closely.
A streaming platform needs a punchy promo announcing a curated collection of films by a well known screen star. Very short read, around 23 words, under 15 seconds. The client wants excitement and momentum, building from softer romance to big action beats, with a confident sense of occasion. For app and non broadcast use. Clean, well paced takes with a little showmanship.
An online explainer aimed at business owners and finance managers, walking through current economic conditions and what they mean for day to day cash flow. The read is short, around 120 words as a segment of a longer piece. The client wants grounded, straight talking delivery, pragmatic and reassuring, no sugar coating the numbers. Audio delivery includes edit and clean up, split into separate files.
An online explainer aimed at business owners facing cash flow trouble, walking through what insolvency means and the formal options open to them. Short read, around a hundred words, with more sections likely in the same style. The client wants a grave, grounded delivery that stays empathetic and reassuring, serious about the pressures without tipping into alarm. Clean, plain speaking pace, no hard sell.
A short online video guiding parents through simple steps for preparing young children at home. The read is brief, under a hundred words, set up as a friendly host speaking to camera in a homely setting alongside a child. The client wants upbeat, warm presenter energy, clear and easy to follow, encouraging rather than alarming. Audio delivered clean and split into separate files.
A short site induction piece for visitors, covering passes, alarms and restricted areas before they go through. The read is around 114 words, so a minute or less. The client wants it to sound like someone talking to you in person rather than a formal read, since the speaker appears on camera. Clear, friendly and matter of fact, with an easy conversational pace.
Part of a longer staff training module on spotting everyday email risks. The read is short, around 120 words, walking through a workplace scenario and a few checks to make before clicking. The client wants a normal conversational pace and a grounded, matter of fact delivery. The examples should not sound ominous, the aim is attention rather than alarm. Pauses for on screen questions will be added in editing.
A 30 second spot for broadcast and streaming, promoting the work of a faith based relief organisation and inviting listeners to pray, volunteer or support. The read is short, around 80 words, and includes a spelled out web address. The client asked for a strong, charismatic delivery with real warmth and conviction, and careful pronunciation of one surname.
A 30 second audio commercial for a faith based relief organisation in the United States, running on radio, TV and streaming across North America. The read is short, around 78 words, and invites listeners to explore new resources and find ways to get involved. The client asked for a strong, engaging delivery with plenty of energy, clear and upbeat throughout.
A brief online video read on letting go of past regrets, aimed at helping listeners move forward. The script is short, around a minute or less, and uses a simple everyday comparison to make its point. The client wants a measured, reflective pace with room to breathe between thoughts, so the message lands gently. Warm, reassuring and clearly articulated throughout. For non promoted online use.
A short spoken piece for online use, opening a reflective conversation about letting go of old hurt. The read is under a minute, around 80 words, and works best when it feels like a genuine chat rather than a speech. The client asked for warmth, steady delivery and natural pauses so the weightier ideas have room to settle. Empathetic and inviting throughout.
A short explainer animation aimed at medical professionals, covering cell biology and how a protein target behaves in healthy tissue. The read is brief, under a minute of finished audio. The client wants moderately engaging delivery, not bright or overly lively. Technical terms need to sound comfortable and familiar, with smooth flow and no choppiness. Clear, steady pacing throughout.
A short product video for a workplace technology platform, aimed at business leaders. The script is brief, around 45 words, running under a minute. The client wants an informative, clear read that still sounds natural and unforced, more of a confident explanation than a hard sell. Steady pacing, easy to follow, with the key points landing cleanly. For online use.
A short corporate promo for a food and industrial manufacturing business based in Australia. The script runs about 50 words, so it is a quick read covering what the company makes, where it sources from and its commitment to sustainability. The client wants a warm, engaging delivery with a friendly and professional feel, and a light sales lift to carry the message.
They already know the voice they want, so they book it straight off the roster. The latest four:
A brief character piece, around 30 seconds, for use in a science themed training context. The client wants a classic anthology series narrator feel, measured and slightly ominous, with that dry mid century delivery. Background music is supplied and the audio needs editing and cleaning up on delivery. A fun one if you enjoy vintage style character reads with precise, deliberate pacing.
A 30 second broadcast spot aimed at people approaching or already in retirement, explaining a coverage option they can keep for themselves. The client asked for an upbeat, positive read with a steady even pace, leaving about five seconds clear at the end. Two near identical versions are needed, with just one line swapped, so only that line has to be picked up.
A 30 second broadcast spot for a faith based relief organisation, running on TV, radio and online across North America. The read introduces the group's work and closes with a call to visit a web page for more information. The client wanted a warm, sincere delivery with steady pace, inviting rather than hard sell, and clear handling of a spelled out address.
A returning client booked a set of seven short videos covering a brand overview and tours of individual properties. Each script is delivered as a separate file, with the full batch running up to about fifteen minutes of finished audio. The client asked for the same relaxed, welcoming tone used in their earlier videos, so consistency across all seven reads matters here. Clear, unhurried pacing throughout.
One published rate card, agreed by everybody. Every casting is priced before it reaches you, so the only thing you compete on is the read.
We listen for sound, studio and delivery. If it's there, you're on the roster.
Castings that match your voice, accent and age arrive by email the moment a client posts them.
Read it, upload a take, and the client picks. No wading through amateurs on their side, no bidding on yours.
Send us a demo. If your sound and studio are up to it, you join the roster and castings that match your voice arrive by email, usually the same day the client posts them. You read the brief, record at home and upload a take. The client listens and picks.
Yes. Every casting on this page is real and came through The Voice Realm. Thousands of castings come through the site every year, and our clients love it because they don't have to wade through submissions from amateurs like on other sites.
No. Every casting is priced from one published rate card before it reaches you, so you never bid against another actor and never have to guess what your voice is worth.
Most days. Thousands of castings come through the site every year, from clients all over the world, and each one is usually cast within a few days of going up, so the board above changes constantly.
Yes. Clients expect broadcast quality files, so you need a quiet, treated space and a proper microphone. Turnaround is usually same day or next day, and a client can direct you live if the casting needs it.
Commercials for TV, radio and the internet, e-learning and training, corporate and explainer videos, narration, phone systems, audiobooks, promos and character work, in more than a hundred languages and accents.
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