What Goes on a Voice Over Invoice, and When to Send It
Split session and usage fees, send within 48 hours, take a deposit and follow up kindly. A plain guide to invoicing as a voice actor.
Split session and usage fees, send within 48 hours, take a deposit and follow up kindly. A plain guide to invoicing as a voice actor.
Why scripts make us sound like we're reading, and what to try today: tell one person, speed read, rewrite it, stand up, record yourself.
Radiocentre's Audio Ad of the Year entries close on 14 October. What judges score, who reads the spot, and what UK voiceover artists should do.
Australia's first awards night for podcast, radio, audiobook and voice over is on 15 October. What it means for voice over artists and clients.
Three days in Warwick, run by working narrators. What a UK audiobook narration conference says about the craft, and what to do at home if you missed it.
ARN's new KIIS Melbourne breakfast team was found through feeds and a podcast. What a local sound means for voice over artists and the people who book them.
Years, dates, phone numbers, web addresses and acronyms: how to decide how each one is said before you record, and what to ask the client.
Why closed-back headphones keep playback out of your microphone, what to check before you buy a pair, and how to protect your hearing in long sessions.
David Atwood went from a homemade site to a branded voice actor website in ten days. How it came together, told in his own words.
What to say at the start of an audition, when to skip it, how to match the energy of the read and how to keep the front of your file clean.