How to Record IVR and Phone Prompts Callers Actually Follow
Phone menus, on-hold messages and stitched numbers: how to read, record and deliver IVR prompts that still sound right on a real phone line.
Phone menus, on-hold messages and stitched numbers: how to read, record and deliver IVR prompts that still sound right on a real phone line.
Sample rate, bit depth, WAV or MP3, peaks and LUFS: what a voice over spec sheet means, and the safe settings to send when the client gives none.
A ten-minute vocal warm-up for voice actors: body, breath, straw bubbles, lip trills, sirens and diction, plus what voice clinics say about each step.
Where to look when a name stumps you, which sources to trust, how to write a pronouncer you can read at speed, and how to keep a pronunciation log.
How many words fit in a 30 or 60 second spot, why pace changes from job to job, and what to do when a script runs long. With a worked example.
Your first live directed session? Who's on the call, how to test the tech, and how to turn a director's note into a better take without losing your nerve.
Blocked nose or hoarse voice? How to decide whether to record, what to tell the client, and how to look after your voice and come back sounding like you.
A pass by pass way to mark up a voice over script: thought groups, focus words, turns, breaths and timing, with a worked example you can copy.
What dubbing voice work asks of you: counting flaps, hitting every lip closure, copying breaths, and why the feeling on screen beats perfect sync.
Why mouth clicks happen, when to start drinking water, what dries you out, where to sit at the mic, and how to clean up the clicks that still get through.