Marketing your Voice Page 3. Get your voice heard by the people who hire: demos, websites, social media, profiles and the marketing that actually books work.

Three habits that get auditions heard on pay-to-play sites: submit early, keep the sound professional, and only go for roles that suit your voice.

What cease and desist letters and copyright infringement mean for voice actors, plus why you should ask before using client work in your demo.

A PLOSOne study found listeners rate lower voices as more authoritative, even for women. What that might mean for casting in voiceover work.

Signs your voice over demo needs a refresh, from the four year mark to better sound quality and bigger bookings worth showing off.

Digital video ad spending keeps climbing, and that means more voice work. Plus why your home studio sound could be costing you bookings.

A look at the steps behind a brand's ad, from defining the audience to placing it, and why the script's already locked by the time you're hired.

Viewers took to Twitter to slam the narration in Playa In Marbella, Narcos and The Great Gatsby. A look at what they said, and why it stung.

When a script clashes with your beliefs, or someone asks if that's your voice on the ad. Real cases where saying yes, or admitting it, backfired.

Kim's an Australian voice actor based in Auckland with 20 years in radio. He talks character voices, demo reels, and nailing online auditions.

People still think voice acting is just reading out loud. Why industry veterans say it isn't, and how public perception has shifted.