How To Choose An Agent
What a voice over agent actually does, how to tell if you’re ready for one, and the red flags to dodge, like pay to audition setups.
What a voice over agent actually does, how to tell if you’re ready for one, and the red flags to dodge, like pay to audition setups.
Kieran, an English voice actor living in Bali, on going from IT guy at a TV studio to full-time voice work, and what newcomers should do first.
John’s been voicing since the late 1980s. He talks about self directing, working from a studio instead of home, and where the industry’s headed.
Rachael went from radio to full time voice over. She talks 12-hour days, why fast replies win jobs, and what working from home really looks like.
Chad has been voicing since a 1997 PlayStation RPG. He talks about working from home, online casting, and why saying no to jobs matters.
Auditions drying up? Why casting slows in November and December, plus training, marketing and rest ideas from Christina and Esther.
Dan, a UK voice actor who came up through audio production, talks promos, mic choices for a home studio, and what makes his auditions land.
Mark, an Australian singer and actor, talks about landing the national iPhone voice gig, taking direction well, and finding work online.
Christina, a Canadian voice actor, on leaving finance for commercials and narration, recording around nap times, and her home booth setup.
A side-by-side look at real June 2015 castings, comparing what the same jobs paid on another casting site versus here, and why set rates matter.